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He achieved an artistic high-point in the altarpiece of the Virgin Enthroned between SS John the Baptist and James, a Bishop Saint and St Jerome (1503, Casale Monferrato, Santuario Crea). The composition is sober and dignified, full of light and colour.
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2]
An elaborate example of such an early altarpiece is the metal and enamel Pala d'Oro in Venice, extended in the 12th century from an earlier altar frontal. [7] The appearance and development of these first altarpieces marked an important turning point both in the history of Christian art as well as Christian
The twelve interior panels. This open view measures 5.2 m × 3.75 m (17.1 ft × 12.3 ft). [1] Closed view, back panels. The Ghent Altarpiece, also called the Adoration of the Mystic Lamb (Dutch: De aanbidding van het Lam Gods), [A] is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium.
The Freiburg Altarpiece is an oil on wood panel altarpiece, created for the high altar of Frieburg Minster by the German Renaissance painter and printmaker, Hans Baldung Grien. [1] [2] The altarpiece is a polyptych with eleven panels created by Baldung and members of his studio. Baldung lived in Freiburg from 1512 to 1517 as he worked on the ...
This altarpiece is an early attempt by Ruben's to employ the intensity of the Baroque style. [4] The three panels together work harmoniously, creating a continuous scene. [1] The setting is dark and restless as the group of spectators, soldiers, horses, and the strained bodies of the executioners surround the soon-to-be crucified Christ. [4]
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The altarpiece was ready by 1451, the year the chapel was consecrated. [7] Painted in van der Weyden's Brussels workshop – most likely with the aid of apprentices – the panels were transported to the hospice once completed. [12] The altarpiece is first mentioned in a 1501 inventory, at which time it was positioned on the high altar. [1]