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The idea that there are meanings associated with the stitches used in Aran knitting derives from Sacred History of Knitting, an entirely fabricated book written by Heinz Edgar Kiewe. Kiewe, a self-styled 'textile journalist' who ran a yarn shop in Oxford, purchased one of the first Aran-style sweaters and, noting a chance similarity between the ...
The first commercially available Aran knitting patterns were published in the 1940s by Patons of England. Vogue magazine carried articles on the garment in the 1950s, and jumper exports from the west of Ireland to the United States began in the early 1950s. Standun in Spiddal, Co.Galway was the first to export the Aran sweater to the USA.
This is a large motif, often used as a centerpiece of an Aran sweater or along the neckline and hemlines. The seven-cable braid is rarely used, possibly because it is very wide. A cable pattern is like a set of serpentine or wave-like cables, each one meandering around its own center line.
The herringbone stitch is used as one of the symbolic motifs in the traditional knitted Aran jumper, or "fisherman's sweater"; specifically, the tradition as it exists in the Channel Islands of Guernsey, Jersey and Filey. The herringbone pattern represents the "fisherman's catch and thus for success in one's career". [3]
When knit wales cross, a cable is formed. Cables patterns tend to draw the fabric together, making it denser and less elastic; [5] Aran sweaters are a common form of knitted cabling. [6] Arbitrarily complex braid patterns can be done in cable knitting. In lace knitting, a pattern is formed by making small, stable holes in the fabric.
Cable patterns tend to draw the fabric together, making it denser and less elastic; [11] Aran sweaters are a common form of knitted cabling. [12] Arbitrarily complex braid patterns can be done in cable knitting , with the proviso that the wales must move ever upwards; it is generally impossible for a wale to move up and then down the fabric.