Search results
Results From The WOW.Com Content Network
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by Monroe H. Rosenfeld in the New York Herald to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.
"I'll See You in C-U-B-A" is a 1919 popular foxtrot Tin Pan Alley [1] song written by Irving Berlin, for the musical revue The Greenwich Village Follies. [2] [3] The Follies first opened on July 15, 1919. [2] The music features a simple rhythm and melody without direct Cuban musical influences. [1]
Tin Pan Alley on West 28th Street. Tin Pan Alley was an area on and surrounding West 28th Street. [14] in New York City, which became the major center for music publishing by the mid-1890s. The songwriters of this era wrote formulaic songs, many of them sentimental ballads.
Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. [4] [5] [6] The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. [1] Although popular music sometimes is known as "pop music", the two terms are not interchangeable. [7]
Tin Pan Alley songwriters Jean Schwartz and William Jerome began their partnership in 1901, and collaborated successfully for more than a decade. They composed many popular songs together, including million-sellers "Mister Dooley" and "Bedelia".
"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926. The first recording of it was by Jan Garber and his Orchestra, featuring lyricist Benny Davis singing the chorus only. The record was a number one hit in 1926.
Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, and Cole Porter.