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Omnipresence or ubiquity is the property of being present anywhere and everywhere. The term omnipresence is most often used in a religious context as an attribute of a deity or supreme being, while the term ubiquity is generally used to describe something "existing or being everywhere at the same time, constantly encountered, widespread, common".
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The Westminster Shorter Catechism's definition of God is an enumeration of his attributes: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." [6] This answer has been criticised, however, as having "nothing specifically Christian about it."
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The Suicide Machines formed in 1991 in Detroit, Michigan, under the original name Jack Kevorkian and the Suicide Machines.The band's original lineup consisted of Jason Navarro on vocals, Dan Lukacinsky on guitar, Jason Brake on bass guitar, and Stefan Rairigh on drums] This lineup lasted a year until Bill Jennings replaced Rairigh, but he was soon replaced by Derek Grant.
Though power chords are not true chords per se, as the term "chord" is generally defined as three or more different pitch classes sounded simultaneously, and a power chord contains only two (the root, the fifth, and often a doubling of the root at the octave), power chords are still expressed using a version of chord notation.
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).