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Alexandré Pölking (born 12 March 1976), sometimes known simply as Mano, is a Brazilian football manager and former football player. He is currently the manager of V.League 1 club Công An Hà Nội .
Alexander Koroviakov (1912–1993) Russian Empire Soviet Union Russian Federation cityscape, still life, and landscape painter: Elena Kostenko (1926–2019) Soviet Union Russian Federation portraits, genre and still life painting: Nikolai Kostrov (1901–1995) Russian Empire Soviet Union Russian Federation painter and graphic artist: Gevork ...
Their works are all over the house: busts, paintings and large works using reclaimed wood and found objects. And in the yard, there's a small menagerie of armatures, wireframes that form the base ...
The painting is housed in the State Russian Museum in St. Petersburg (inventory number Zh-5263). It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops ...
Alexander Roslin – Gustav III. In the same year that Roslin moved to Paris, he was elected to be a member of the French Académie, a great honour for an artist from outside France. [2] Roslin was commissioned to paint the portraits of numerous European aristocrats, not only in Paris but also from St. Petersburg, Bayreuth and Stockholm.
In general, the exhibition presented creation of famous masters - pupils of Alexander Osmerkin - in all genres of painting of 1940-1980s. Genre painting was represented of "Paint of Boats" by Ivan Godlevsky , "At the Gulf" by Evsey Moiseenko , "At the country cottage" by Lev Orekhov , Nevsky Prospekt by Gleb Savinov , and some others.
1900s photograph of burlaks on the Volga River. Repin was accepted into the Imperial Academy of Art in St. Petersburg in 1863. The academy at the time was known for its deep conservatism and leaning towards academic art, a fact that bred a sense of revolt and desire for change in many of its students.
Alexander Vesnin presented five [5] abstract cubist canvases that appear pure abstractions but were, in fact, ultimate decomposition of human figures. [5] Vesnin's catalogue cover, in particular, is typical of his book and advertising art of the period: numbers in two "lines" (5x5 and 25) are offset against the baseline, but this irregularity ...