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The Powers That B is the fourth studio album, and first double album, by experimental hip hop group Death Grips. The album's first disc, Niggas on the Moon , was released as a free digital download on June 8, 2014.
Death Grips' fourth studio album, The Powers That B, is a double album consisting of two discs titled Niggas on the Moon and Jenny Death. In June 2014, Niggas on the Moon was released. [11] Between the releases of the two halves of this double album, the instrumental album Fashion Week was released in January 2015. [12]
The song titles, each beginning with the word "Runway" followed by a letter of the alphabet, spelled out the phrase "JENNY DEATH WHEN" in reference to the then-unreleased second disc of The Powers That B. [56] The album was released in its complete form in March and reached the Billboard 200 chart at No. 72. [19]
Gmail and the Restraining Orders was originally used as a soundscape for the opening of the band's live shows during their 2015 The Powers That B tour. On June 19, 2019, the code of Warp Records' website warp.net accidentally leaked the NTS Radio schedule, showing Death Grips listed as a special guest.
[9] The Quietus critic Calum Bradbury-Sparvell described the album as "the most vibrant and least menacing collection of tracks Death Grips have released." [ 10 ] One recurring criticism of Fashion Week was the absence of MC Ride's vocals, [ 8 ] [ 11 ] [ 7 ] with one reviewer suggesting that the instrumentals "stagnate" on their own.
Musically, the album features an art punk and a "noisy garage rock" sound. [ 3 ] [ 4 ] It has been regarded as a continuation of the rock-oriented sound of Death Grips' fourth studio album, The Powers That B [ 5 ] and drew comparisons to Hill's 2010 solo album Face Tat .
After forming on December 21, 2010, in Sacramento, California, Death Grips released their first song "Full Moon (Death Classic)" on March 8, 2011, along with a corresponding music video and a free self-titled EP. [1]
Power pop is a music genre which is a more aggressive form of pop rock. [1] Although its mainstream success peaked in the late 1970s and early 1980s, the genre continues to influence new artists. [ 2 ]