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Byzantine Egyptian papyrus fragment. A literary fragment is a piece of text that may be part of a larger work, or that employs a 'fragmentary' form characterised by physical features such as short paragraphs or sentences separated by white space, and thematic features such as discontinuity, ambivalence, ambiguity, or lack of a traditional narrative structure.
The terms are shortened from Latin: rēctō foliō and versō foliō (which translate as "on the right side of the leaf" and "on the back side of the leaf"). The two opposite pages themselves are called folium rēctum and folium versum in Latin, [1] and the ablative rēctō, versō already imply that the text on the page (and not the physical page itself) are referred to.
Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect.
Boustrophedon (/ ˌ b uː s t r ə ˈ f iː d ən / [1]) is a style of writing in which alternate lines of writing are reversed, with letters also written in reverse, mirror-style. This is in contrast to modern European languages, where lines always begin on the same side, usually the left.
An incomplete sentence, or sentence fragment, is a set of words that does not form a complete sentence, either because it does not express a complete thought or because it lacks some grammatical element, such as a subject or a verb. [6] [7] A dependent clause without an independent clause is an example of an incomplete sentence.
The pairing of the two terms with their definitions has no consistent standard across the industry; some sources use the opposite meanings as others. Additionally, runts (which varying sources also call widows or orphans) are cases where a paragraph anywhere on a page ends with a very short final line. They give an impression of excessive empty ...
A fragmentary novel is a novel made of fragments, vignettes, segments, documents or chapters that can be read in isolation and/or as part of the greater whole of the book. . These novels typically lack a traditional plot or set of characters and often are the product of a cultural cr
[7] [n 1] Thus, at least one of the parts of a blend, strictly speaking, is not a complete morpheme, but instead a mere splinter or leftover word fragment. For instance, starfish is a compound, not a blend, of star and fish , as it includes both words in full.
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