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Portrait of Young Woman with Unicorn is a painting by Raphael, which art historians date c. 1505-1506. It is in the Galleria Borghese in Rome. History
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175. [2]
Raphael and La Fornarina is an oil painting on canvas executed in 1813, in Italy, by Jean-Auguste-Dominique Ingres. [1] It is the first of five versions of the painting he produced between 1813 and his death in 1867. [2] In 1814 his first version was exhibited at the Salon of that year. [3]
Portrait of a Young Woman: Musée des Beaux-Arts de Strasbourg, France: Oil on panel 60 x 40 c. 1518: Portrait of Lorenzo de' Medici, Duke of Urbino: Private collection Oil on canvas 97.2 × 79.4 c. 1518: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5]
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
The Unicorns (painting) Y. Young Woman with Unicorn This page was last edited on 17 September 2021, at 06:41 (UTC). Text is available under the Creative ...
The Unicorns is an 1880s oil-on-canvas painting by Gustave Moreau, now in the Musée national Gustave Moreau. [1]It is freely inspired by The Lady and the Unicorn tapestries in the musée de Cluny [2] Moreau spoke of the painting and its subject as "an enchanted island with a gathering of women, solely of women giving the most precious pretext for all patterns of plastic art".