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The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The second mode, also called the octatonic, diminished, whole-half, or half-whole scale, is divided into four groups of three notes each. It contains the intervals semitone, tone, semitone, tone, semitone, tone, semitone, tone – it has three transpositions, like the diminished 7th chord, and two modes: Play ⓘ
Diminished: Whole tone: Unusual Augmented scale: Augmented scale on C. Play ... Half diminished scale on C. Play ...
Robben Lee Ford (born December 16, 1951) [1] is an American blues, jazz, and rock guitarist. [2] He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis , Joni Mitchell , George Harrison , Larry Carlton , Rick Springfield , Little Feat , and Kiss .
Electric Guitar – Joe Bonamassa (tracks: 1), Paul Barreré* (tracks: 4,7,9,10), Robben Ford (tracks: 2,5,6) Electric Guitar, Slide Guitar – Greg Koch Organ, Electric Piano – Theo Merriweather
The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
In jazz, the altered scale, altered dominant scale, or super-Locrian scale (Locrian ♭ 4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord , which are root, major third, and minor seventh ...