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dramatic Western Broken Arrow: Delmer Daves: James Stewart, Jeff Chandler, Debra Paget, Basil Ruysdael, Will Geer, Arthur Hunnicutt, Jay Silverheels, John Doucette: revisionist Western California Passage: Joseph Kane: Forrest Tucker, Adele Mara: traditional Western Call of the Klondike: Frank McDonald: Kirby Grant: B Western The Capture: John ...
Until 1903, films had been one-reelers, usually lasting 10 to 12 minutes, [1] reflecting the amount of film that could be wound onto a standard reel for projection, hence the term. Edwin S. Porter was a former projectionist and exhibitor who had taken charge of motion-picture production at Thomas Edison 's company in 1901 .
This is a non-diffusing subcategory of Category:1954 films. It includes 1954 films that can also be found in the parent category, or in diffusing subcategories of the parent. This category is for Western (genre) films released in the year 1954 .
Two TV episodes of the 1957 TV series Hawkeye and the Last of the Mohicans: Apache Warrior: Elmo Williams: Keith Larson, Jim Davis: Traditional Western The Badge of Marshal Brennan: Albert C. Gannaway: Jim Davis, Arleen Whelan: Badlands of Montana: Daniel B. Ullman: Rex Reason, Margia Dean, Emile Meyer: The Big Land: Gordon Douglas
The best western and cowboy movies of all time, from Clint Eastwood, Sergio Leone, John Wayne, and John Ford, to Quintin Tarantino and the Coen brothers. The 34 Greatest Western Films Ever Made ...
As of 2014, a large number of these films and television episodes remain available via the Gene Autry Foundation on the Western Channel (a cable television station), the latter having collaborated with the Foundation to restore the Republic titles, which had been cut to a uniform 54 minutes for television release in the 1950s, to full length ...
List of Western films 1950–1954; List of Western films 1955–1959 This page was last edited on 20 April 2020, at 05:44 (UTC). Text is available under the ...
Another classic revisionist western that worked to subvert the expected conventions of the genre, this film really feels like a slice of life in the boomtown of Presbyterian Church, Washington.