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After that, Seeta's memories recall Sitaramayya when he spots her diary, through which he affirms the fact and his son's last wish to immerse his ashes in the Godavari, his father. Forthwith, Sitaramayya collapses but quickly retrieves and rushes for Seeta. At last, Seeta fulfills her father's wish.
from Hindi and Urdu: An acknowledged leader in a field, from the Mughal rulers of India like Akbar and Shah Jahan, the builder of the Taj Mahal. Maharaja from Hindi and Sanskrit: A great king. Mantra from Hindi and Sanskrit: a word or phrase used in meditation. Masala from Urdu, to refer to flavoured spices of Indian origin.
Sone Pe Suhaaga (transl. Borax on Gold, met.‘‘Icing on the Cake’’ or ‘’Cherry on Top’’) is a 1988 Indian Hindi-language action drama film, produced by Abdul Hafiz Nadiadwala on A. G. Films Pvt Ltd banner and directed by K. Bapaiah.
A woman using the Manus VR glove development kit in 2016. In virtual reality (VR), immersion is the perception of being physically present in a non-physical world. The perception is created by surrounding the user of the VR system in images, sound or other stimuli that provide an engrossing total environment.
The cremation ground is called Shmashana (in Sanskrit), and traditionally it is located near a river, if not on the river bank itself.Those who can afford it may go to special sacred places like Kashi (), Haridwar, Prayagraj (Allahabad), Srirangam, Brahmaputra on the occasion of Ashokashtami and Rameswaram to complete this rite of immersion of ashes into the water.
Language immersion, or simply immersion, is a technique used in bilingual language education in which two languages are used for instruction in a variety of topics, including maths, science, or social studies.
Immersive learning is a learning method with students being immersed into a virtual dialogue, the feeling of presence is used as an evidence of getting immersed. The virtual dialogue can be created by two ways, the usage of virtual technics, and the narrative like reading a book.
Audience immersion is a storytelling technique which attempts to make the audience feel as though they are a part of the story or performance, a state which may be referred to as "transportation" into the narrative, permitting high levels of suspension of disbelief. [1]