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The first two phrases of the melody from Stephen Foster's "Oh! Susanna" are based on the major pentatonic scale [1]. A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
Important elements Rice has used in his playing are jazz type chord substitutions, different from the straight major and minor chords common to bluegrass, and the use of the Dorian mode and the minor pentatonic "blues" scale in his lead playing. While there have been several songs using the Dorian mode in Appalachian roots music, Rice made a ...
Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
Pages in category "Pentatonic scales" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. ...
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords.Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
Move over, Wordle and Connections—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity fans can find on ...
"Drum lick A" "Drum lick B" "A complex of riffs on guitar and bass guitar" "A basic melodic falling pattern, using the notes of the pentatonic scale" "A characteristic guitar effect, the attacked single note with long decay and glissando fall" He concludes that "the combination and variations of these formulae are many and highly imaginative.