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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Sadhukkari (Devanagari: सधुक्कड़ी) was a vernacular dialect of the Hindi Belt of medieval North India, and a mix of Hindustani, Haryanvi, Braj Bhasha, Awadhi, Marwari, Bhojpuri and Punjabi, hence it is also commonly called a Panchmel Khichri. [1] [2] Since it is simpler, it is used in adult literacy books or early literacy books.
In pre-modern Chinese literature, the ideal man in caizi jiaren romances was said to have "rosy lips, sparkling white teeth" and a "jasper-like face" (Chinese: 唇 紅 齒 白、面 若 冠 玉). [149] [150] In Middle English literature, a beautiful man should have a long, broad and strong face. [151]
In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2]
Sukla, Ananta Charan, Art, Nature and the Artifactuality of Art and Nature: A Plea for Environmental Aesthetics in Ancient India, Journal of Comparative Literature and Aesthetics: 1996 Sukla, Ananta Charan, Art, Reality and the Reality of the Arts: Ontology, Representation and The Sister Arts Theory in Indian Aesthetics , Indian Response to ...
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages.
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Laxminarayan Payodhi was born on March 23, 1957, in the village of Ankisa, Maharashtra, and spent his formative years in Bhopalpatnam, Chhattisgarh.Hailing from a Telugu-speaking family, Payodhi, despite being a Hindi student, developed a profound interest in various Vedas and epics, becoming an authority in both Telugu and Hindi.