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It shows Charles V seated on a chair to the left, facing the viewer, with his black robes contrasted with the red carpet and gold tapestry behind him. In the right half of the painting is a landscape, barely sketched in, in light colours.
Polonius's most famous lines are found in Act 1 Scene 3 ("Neither a borrower nor a lender be"; "To thine own self be true") and Act 2 Scene 2 ("Brevity is the soul of wit"; and "Though this be madness, yet there is method in't") while others have become paraphrased aphorisms ("Clothes make the man"; "Old friends are the best friends"). Also ...
He also wears a pendant in red coral, an apotropaic amulet of ancient origins usually given to children, which also appears in contemporary works by Piero della Francesca and other artists. The white and red roses in the crown which the angels release on the Virgin's head are also allegoric: they recall both her virginal purity and the future ...
[4] [5] He was a popular figure; besides his fame as a jester he has been described as an eloquent, witty, and intelligent man, using satire to comment on the nation's past, present, and future. [ 4 ] [ 5 ] Unlike jesters of other European courts, Stańczyk has always been considered as much more than a mere entertainer. [ 6 ]
The illustration depicts a man, dressed as a pilgrim in a long robe and carrying a walking stick, who has reached a point where the flat Earth meets the firmament. The pilgrim kneels down and passes his head, shoulders, right arm, and the top of the walking stick through an opening in the firmament, which is depicted as covered on the inside by ...
The way this man's dark hair grows, with the sharp dip in the middle of his high forehead, as though concentrating there all the energy of the masculine M, makes his face different from all the others. His coal-black eyes are rigidly focused in a gaze that expresses compelling force. The nose is unusually long and boldly curved.
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy , and Harold, Earl of Wessex, later King of England , and culminating in the Battle of Hastings .
Titian exceptionally uses only few colours – mainly black, grey, white and pink. This makes the portrait more suggestive, and the figure stands out against the uniform grey background, casting only a delicate shadow. His face and penetrating eyes emphasize the man's spiritual state and his internal nervous tension. [2]