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Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
The following is a list of common metonyms. [n 1] A metonym is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept.
Circumlocution – use of many words where a few would do. Classicism – a revival in the interest of classical antiquity languages and texts. Climax – an arrangement of phrases or topics in increasing order, as with good, better, best. Colon – a rhetorical figure consisting of a clause that is grammatically, but not logically, complete.
Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy.
(Needless to say, major spoilers ahead.) ... Mona has marshaled the manpower of MW Industries to create a sort of "Synecdoche, New York" or "Truman Show" situation for Beau, in which she casts him ...
The word was popularized in the 1964 film Mary Poppins, [4] in which it is used as the title of a song and defined as "something to say when you don't know what to say". The Sherman Brothers , who wrote the Mary Poppins song, have given several conflicting explanations for the word's origin, in one instance claiming to have coined it themselves ...
Pages in category "Synecdoche" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
Synecdoche, New York (/ s ɪ ˈ n ɛ k d ə k i / sin-EK-də-kee) [3] is a 2008 American postmodern [4] psychological drama film written and directed by Charlie Kaufman in his directorial debut. It stars Philip Seymour Hoffman as an ailing theater director who works on an increasingly elaborate stage production and whose extreme commitment to ...