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Andante: walking: At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower ...
andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi Progressively more animated animato Animated, lively antiphon
Maestoso also is associated with the advent of Classicism, Romanticism, and the newer forms of neo-classicism and neo-romanticism. The interpretation of maestoso is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific ...
Ma non troppo – but not too much; used to modify a basic tempo to indicate that the basic tempo should be reined in to a degree; for example, Adagio ma non troppo to mean "Slow, but not too much", Allegro ma non troppo to mean "Fast, but not too much" Maestoso – majestically, stately [20] Molto – very; Meno – less; Più – more; Poco ...
Allegro maestoso; in common time. The tempo marking is in Mozart's catalog of his own works, but not in the autograph manuscript. [3] Andante in F major. In both the autograph score and in his personal catalog, Mozart notated the meter as alla breve. [3] Allegro vivace assai
Allegro moderato molto e marcato – Quasi presto – Andante maestoso (A minor → F major → A minor → A major) The third movement opens in A minor 2 4 time with an energetic theme (Theme 1), which is influenced by the Norwegian Halling dance: It is followed by a lyrical theme in F major (Theme 2). The movement returns to Theme 1.
Note that some editions of the score display a molto ritenuto just before the andante maestoso, while others do not. Both version can be heard till today, without it being possible to know what Liszt would have wanted. 1b. Andante Maestoso ("Les Astres") Mm.35-46 Example 2: Three main elements of the Andante maestoso.
No. 4 in B ♭ major (Allegro con brio – Andante religioso – Allegretto – Allegro maestoso e vivace) No. 5 in D major (Andante – Andante con moto – Allegro) No. 6 in D minor (based on Luther's chorale Vater unser im Himmelreich)** (Chorale and variations: Andante sostenuto – Allegro molto – Fuga – Finale: Andante)