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Petrarch was born in the Tuscan city Arezzo on 20 July 1304. He was the son of Ser Petracco (a diminutive nickname for Pietro) and his wife Eletta Canigiani.Petrarch's birth name was Francesco di Petracco ("Francesco [son] of Petracco"), which he Latinized to Franciscus Petrarcha.
Petrarch's implication that he was the first to climb mountains for pleasure, [10] and Burckhardt's insistence on Petrarch's sensitivity to nature have been often repeated since. [11] There are also numerous references to Petrarch as an "alpinist",. [12] However Mont Ventoux is not a hard climb, and is not usually considered part of the Alps. [13]
Petrarch was the first to give the metaphor secular meaning by reversing its application. He now saw classical antiquity, so long considered a 'dark' age for its lack of Christianity, in the 'light' of its cultural achievements, while Petrarch's own time, allegedly lacking such cultural achievements, was seen as the age of darkness. [18]
Petrarch's obsessive feelings toward Laura fit remarkably well under the title courtly love. This love is a way to explain his erotic desire and spiritual aspiration. Shakespeare, similarly to Petrarch, shows an eroticized love to the fair youth, a love that also fits nicely under pretense of courtly love.
Sir Thomas Wyatt and Henry Howard, Earl of Surrey are both known for their translations of Petrarch's sonnets from Italian into English. While Surrey tended to use the English sonnet form in his own work, reserving the Petrarchan form for his translations of Petrarch, Wyatt made extensive use of the Italian sonnet form in the poems of his that ...
Petrarch discovered the text of Cicero's letters in 1345, which gave him the idea to collect his own sets of letters. It wasn't until four or five years later however, that he actually got started. It wasn't until four or five years later however, that he actually got started.
In the first chapter, Petrarch discusses two types of people. One is the city dweller who awakens in the middle of the night thinking of his clients with falsehoods. He thinks how he may be able to drive a corrupt bargain with ill-gotten profit gains or betraying his friends or his seductions for his neighbor's wife to tempt her away from her ...
In ancient Greece, the laurel was used to form a crown or wreath of honour for poets and heroes. The custom derives from the ancient myth of Daphne and Apollo (Daphne signifying "laurel" in Greek), and was revived in Padua for Albertino Mussato, [10] followed by Petrarch's own crowning ceremony in the audience hall of the medieval senatorial palazzo on the Campidoglio on April 8, 1341. [11]