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Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity. Kawaii culture began to flourish in the 1970s, driven by youth culture and the rise of cute characters in manga and anime (comics and animation) and merchandise ...
In Japanese popular culture, a bishōjo (美少女, lit. "beautiful girl"), also romanized as bishojo or bishoujo, is a cute girl character. Bishōjo characters appear ubiquitously in media including manga, anime, and computerized games (especially in the bishojo game genre), and also appear in advertising and as mascots, such as for maid cafés.
Gackt, a Japanese singer-songwriter, is considered to be one of the living manifestations of the Bishōnen phenomenon. [1] [2]Bishōnen (美少年, IPA: [bʲiɕo̞ꜜːnẽ̞ɴ] ⓘ; also transliterated bishounen) is a Japanese term literally meaning "beautiful youth (boy)" and describes an aesthetic that can be found in disparate areas in East Asia: a young man of androgynous beauty.
Soft girl or softie describes a youth subculture that emerged among Gen Z female teenagers around mid-to late-2019. Soft girl is a fashion style and a lifestyle, popular among some young women on social media, based on a deliberately cutesy, feminine look with a "girly girl" attitude.
Good Luck Girl!, known in Japan as Binbō-gami ga! (貧乏神が!, lit. ' This God of Poverty! '), is a Japanese manga series written and illustrated by Yoshiaki Sukeno [].
I Think I Turned My Childhood Friend into a Girl, known in Japan as Koisuru (Otome) no Tsukurikata, [a], also known as OtoTsuku (おとつく) for short, is an otokonoko romantic comedy manga series by Azusa Banjo, published by Ichijinsha in Comic Pool and in collected tankōbon volumes.
Plus the one food he would never cook with.
Hello Kitty's popularity also grew with the emergence of kawaii (cute) culture. [16] The brand went into decline in Japan after the 1990s, but continued to grow in the international market. [17] By 2010 the character was worth $5 billion a year and The New York Times called her a "global marketing phenomenon". [17] She did about $8 billion at ...