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In music, voice crossing is the intersection of melodic lines in a composition, leaving a lower voice on a higher pitch than a higher voice (and vice versa). Because this can cause registral confusion and reduce the independence of the voices, [ 1 ] it is sometimes avoided in composition and pedagogical exercises.
In Pérotin's four-part organum "Sederunt principes", sections that are exchanged vary considerably in length, from two to more than ten measures, [1] and parts that are exchanged are sometimes nested (i.e. there is a brief voice exchange among two parts within a larger section which subsequently is repeated using a voice exchange). [9]
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Crossing the Lines may refer to: Crossing the Lines (project ...
Eli Terry was using interchangeable parts using a milling machine as early as 1800. Ward Francillon, a horologist, concluded in a study that Terry had already accomplished interchangeable parts as early as 1800. The study examined several of Terry's clocks produced between 1800–1807. The parts were labelled and interchanged as needed.
These bars are typically 12 to 24 inches (300 to 610 mm) wide and are set 12 to 24 inches (300 to 610 mm) apart. Crosswalks can use a combination of two parallel white lines and continental stripes to create a "ladder" crosswalk, which is highly visible. [1] [4] A sign warning motorists to yield to those crossing the crosswalk
The crossing number of a reduced, alternating diagram is the crossing number of the knot. This last is one of the celebrated Tait conjectures. An alternating knot diagram is in one-to-one correspondence with a planar graph. Each crossing is associated with an edge and half of the connected components of the complement of the diagram are ...
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In Euclidean geometry, the intersecting chords theorem, or just the chord theorem, is a statement that describes a relation of the four line segments created by two intersecting chords within a circle. It states that the products of the lengths of the line segments on each chord are equal.