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Reverb.com is an online marketplace for new, used, and vintage musical equipment, including instruments used by notable musicians. [1] It was founded in 2013 by David Kalt, shortly after he purchased the musical instrument store Chicago Music Exchange and became frustrated with then-available options for buying and selling guitars online. [2]
In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...
An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...
The amplifiers were naturally given traditional Fender model names, the earliest including 'Dual Showman', 'Twin Reverb', and 'Bassman'. Other products in the line were the 'Solid-State Reverb Unit' and the 'Solid-State Public-Address System'. 'Super Reverb', 'Pro Reverb', 'Vibrolux Reverb' and 'Deluxe Reverb' amplifiers followed in 1967.
Electric guitar models no longer in mainstream production: Fender Bronco [10] (Lives on through Squier as a bass guitar); Fender Bullet [11] (lives on through Squier); Fender Coronado [12]
Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt ...
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The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. [2] The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats.