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Download as PDF; Printable version; ... British abstract painters (31 P) Pages in category "British abstract artists"
John Bainbridge Copnall (1928–2007) was an English artist best known for his abstract expressionist painting of richly coloured stylised realism, often on a grand scale. . He was also a teacher of painting for twenty years at the Central School of Art and Design in Lond
Pages in category "Abstract expressionist artists" The following 200 pages are in this category, out of approximately 349 total. This list may not reflect recent changes .
By the 1960s, the movement's initial effect had been assimilated, yet its methods and proponents remained highly influential in art, affecting profoundly the work of many artists who followed. Abstract expressionism preceded Tachisme, Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, Neo-expressionism, and ...
That same year, an extended visit to North America resulted in friendships with New York based artists including Rothko and de Kooning. One of the first British artists to be aware of Abstract Expressionism, the work he saw in America made Scott aware of how much his painting was, and would continue to be, tied to a European artistic tradition.
Bowling was born on 26 February 1934 in Bartica, British Guiana, [7] [8] to Richard Bowling and his wife, Agatha. [4]In 1940, Bowling's father moved the family to New Amsterdam so as to take up his post as accountant and paymaster in the local police force. [7]
Born 30 January 1920 at Headingley, Leeds in Yorkshire, Patrick Heron was the eldest child of Thomas Milner Heron and Eulalie Mabel (née Davies). [8] When Patrick Heron was five and his brother Michael (later known as Dom Benedict [9]) was 4 the family moved to Cornwall, where Tom joined Alec Walker at Cryséde to manage and expand the business from artist-designed woodblock prints on silk to ...
Inspired by both American Abstract Expressionism and French Tachisme, Avray Wilson produced amongst the most dynamic abstracts during the post-war period in Britain. His work ranged from spiky linear compositions, through others more spare and geometric towards a mature style that comprised images both disciplined and energetic. [3]