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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2 4, as it is written in ...
Basic bossa nova accompaniment pattern Play ⓘ Bossa nova is most commonly performed on the nylon-string classical guitar, played with the fingers rather than with a pick. Its purest form could be considered unaccompanied guitar with vocals, as exemplified by João Gilberto. Even in larger, jazz-like arrangements for groups, there is almost ...
Bossa nova is internationally well-known, and Forró (pronounced ) is also widely known and popular in Brazil. Lambada is influenced by rhythms like cumbia and merengue. Funk carioca (also known as Brazilian funk) is also a highly popular style, including tamborzão rhythms. [7]
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[3]: xxii It has a bossa nova feel and features a bass ostinato. [3]: xxii "It contains only four chords: Fm 9 - E ♭ 9 - D ♭ 9 - C 9. The piece uses even eighth notes throughout, not swing eighths." [4] In his biography, Silver describes composing the song while attempting to use the bossa nova rhythm he had observed in Brazil. [5]
The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The first eight measures consist of D, followed by four measures of G, and then four measures of D.
Tristeza on Guitar: 1966: MPS/Saba: solo and with trio. Powell uses guitar overdubs. Produced by Joachim-Ernst Berendt and Gebara Netto O Som de Baden Powell: 1968: Elenco: with Copinha on flute and rhythm section. Produced by Berendt & Gebara Netto Os Originais do Samba - Show / Recital: 1968: Philips: live, with trio, singer Márcia and ...