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Harry Potter and the Goblet of Fire (Original Motion Picture Soundtrack) was released on 15 November 2005. The film's score was composed by Patrick Doyle, conducted by James Shearman, recorded at Air Lyndhurst Studios and performed by the London Symphony Orchestra with orchestrations provided by Doyle, Shearman, Lawrence Ashmore, John Bell, Brad Dechter, Nicole Nevin and James McWilliam.
Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross.
Associated with the cloak during its use in the first two films. Also used when Harry is writing to Tom Riddle in the diary, and when Tom starts explaining to Harry the strange events that happened during school year in the second film. Heard very briefly in the third film when Harry puts on the cloak in the Honeydukes cellar.
"Hedwig's Theme" is an orchestral piece composed by John Williams. It serves as the main theme for the Harry Potter film series, based on the series of popular fantasy novels of the same name by author J. K. Rowling.
The soundtrack to Harry Potter and the Philosopher's Stone (titled Harry Potter and the Sorcerer's Stone in the United States) was released on 30 October 2001. The film's score was composed and conducted by John Williams.
A Very Potter Musical tells the story of Harry Potter's return to Hogwarts School of Witchcraft and Wizardry, his participation in the House Cup Championship, the trials and tribulations of adolescence, and the return of the dark wizard Lord Voldemort and the Golden Trio's attempts to destroy the Horcruxes.
"Double Trouble" was composed by John Williams during the film's production since he felt it to be a warm welcome back to Hogwarts. The song was sung by the London Oratory School Schola, and its lyrics are taken directly from William Shakespeare's Macbeth, in which they are spoken by three witches.
Hooper incorporated "Hedwig's Theme", the series' theme originally written by John Williams for the first film and heard in all subsequent entries, into the score. [2]In March and April 2007, Hooper, conductor Alastair King and a 90-piece of the Chamber Orchestra of London recorded nearly two hours of music at Abbey Road Studios in London with orchestrations provided by King, Geoff Alexander ...