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Art Theory: Cynthia Freeland: 13 February 2003: But Is It Art?: An Introduction to Art Theory, 2001: Art 084: Locke: John Dunn: 8 May 2003: Past Masters series, 1984: Philosophy/Biography 085: Modern Ireland: Senia Paseta: 27 March 2003: Human Geography 086: Globalization: Manfred Steger: 27 March 2003 22 January 2009 (2nd ed.) 4 April 2013 ...
On English art "The history of modern art in England is to a large extent a history of delayed and mediated responses." [3]On the value of art "[V]ividness in representation must entail the reconciliation of technical concerns for expressive form and surface on the one hand with the requirements of realistic description on the other...the more the activity of art tends toward the pursuit of ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Art and Illusion, A Study in the Psychology of Pictorial Representation, is a 1960 book of art theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Kandinsky included many of his theories about abstract art in his book Concerning the Spiritual in Art. Robert Delaunay was a French artist who is associated with Orphism, (reminiscent of a link between pure abstraction and cubism). His later works were more abstract, reminiscent of Paul Klee. His key contributions to abstract painting refer to ...
Aaron Scharf's 1968 book Art and Photography details evidence of the use of photographs and the camera by painters. Scharf notes in his introduction that in 1568 Daniele Barbaro , the Venetian writer on architecture, recommended the camera obscura as an aid to artists: "By holding the paper steady you can trace the whole perspective outline ...