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The Beast Will Rise is a series of monologues written by Philip Ridley.. The monologues were performed online by the cast of Ridley's play The Beast of Blue Yonder, which was scheduled to be performed at The Southwark Playhouse on 2 April 2020 but was cancelled as a result of the COVID-19 pandemic.
It is a 90-minute dramatic monologue told from the killer's point of view. In the performances, audience members are separated between men and women, with the actor speaking to the men exclusively for the first 80 minutes. Only during the detailed description of the massacre are the women in the audience addressed. [1]
"A Cream Cracker Under The Settee" is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC. The series became very popular, moving onto BBC Radio, international theatre, becoming one of the best-selling audio book releases of all time and included as part of both the A-level and ...
In this week’s episode of the Paramount+ series, the oil-company lawyer played by Kayla Wallace delivers a blistering monologue to a room full of male attorneys who’ve severely underestimated her.
Talking Heads is a 1988 TV series of dramatic monologues written for BBC television by British playwright Alan Bennett. The first series was broadcast on BBC1 in 1988, and adapted for radio on BBC Radio 4 in 1991. A second series was broadcast on BBC Two in 1998. They have since been included on the A-level and GCSE English Literature syllabus.
His monologue from '96 was by far one of the funniest monologues to date. With his takes on the election, his life after being on the show, and his ability to make regular life seem so hilarious.
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...