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"In the Garden" (sometimes rendered by its first line "I Come to the Garden Alone" is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years. It reflects on Mary Magdalene's witness about the resurrection of Jesus at The Garden Tomb. [1]
Piano Trio, Op. 38 (Beethoven) Pictures at an Exhibition (Emerson, Lake & Palmer album) Pictures at an Exhibition (Ravel orchestration) Pictures at an Exhibition (Stokowski orchestration) Polka de W.R. Pulcinella (ballet)
In particular, music written for the piano has frequently undergone this treatment, as it has been arranged for orchestra, chamber ensemble, or concert band. [6] Beethoven made an arrangement of his Piano Sonata No. 9 for string quartet. Conversely, he also arranged his Grosse Fuge (one of his late string quartets) for piano duet.
In the years leading up to World War I Falla was living in Paris where he began this work as a set of nocturnes for solo piano in 1909. On the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for piano and orchestra. The influence of French composers such as Debussy and Ravel can be seen in the music. [1]
The lyrics of "In the Garden" contain a line which gives the album its name: "No Guru, no method, no teacher/ Just you and I and nature/And the Father in the garden." Some of the words also fall back to Astral Weeks territory with mentions of "childlike visions", "into a trance" from the song, " Madame George " and "in the garden wet with rain ...
Piano Sonata (No. 2, 1941) Episode for organ (1941) Arrangement of An Outdoor Overture for concert band (1941) Lincoln Portrait for narrator and orchestra (1942) Arrangement of Lincoln Portrait for concert band (1942) Rodeo; ballet (1942) Fanfare for the Common Man for brass and percussion (1942) Las Agachadas for chorus (1942)
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Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.