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James Arthur Baldwin (né Jones; August 2, 1924 – December 1, 1987) was an African-American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems.
If Beale Street Could Talk is a 1974 novel by American writer James Baldwin.His fifth novel (and 13th book overall), it is a love story set in Harlem in the early 1970s. [1] [2] The title is a reference to the 1916 W.C. Handy blues song "Beale Street Blues", named after Beale Street in Downtown Memphis, Tennessee.
The first essay, written in the form of a letter to Baldwin's 14-year-old nephew, discusses the central role of race in American history.The second essay, which takes up the majority of the book, deals with the relations between race and religion, focusing in particular on Baldwin's experiences with the Christian church as a youth, as well as the Nation of Islam's ideals and influence in Harlem.
The Price of the Ticket is an anthology collecting nonfiction essays by James Baldwin. Spanning the years 1948 to 1985, the essays offer Baldwin's reflections on race in America. The title was repurposed for the 1989 documentary film James Baldwin: The Price of the Ticket, directed by Karen Thorsen. [1] [2]
Scott contends that the novel has been unjustly dismissed, alongside Baldwin's other later novels If Beale Street Could Talk and Just Above My Head, as less interesting and complex than Baldwin's earlier works. However, she argues that these novels build upon, revise, and refocus his previous considerations of racial and sexual identity in ...
James Baldwin was born in 1924 in Harlem to an unwed mother who had left Maryland for New York and never knew his biological father. Several years later, his mother married a much older laborer and Baptist preacher from Louisiana who had come north in 1919.
Nobody Knows My Name: More Notes of a Native Son is a collection of essays, published by Dial Press in July 1961, by American author James Baldwin.Like Baldwin's first collection, Notes of a Native Son (publ. 1955), it includes revised versions of several of his previously published essays, as well as new material.
The website's critical consensus reads, "I Am Not Your Negro offers an incendiary snapshot of James Baldwin's crucial observations on American race relations—and a sobering reminder of how far we've yet to go." [15] On Metacritic, the film has a weighted average score of 95 out of 100, based on 36 critics, indicating "universal acclaim". [16]