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Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free.
According to Danish noise and music theorist Torben Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a musical acoustics definition, a second communicative definition based on distortion or disturbance of a communicative signal, and a third definition based in subjectivity (what is noise to one person can be meaningful ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Japanoise: Music at the Edge of Circulation. Durham, North Carolina: Duke University Press. ISBN 978-0-822-35392-8. Graham, Stephen (2016). Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-11975-2
Noise music, a noise-based aesthetic in experimental music and sound art Power noise, a derivative of noise music; Noise pop, an alternative rock genre developed in the UK in the mid-1980s; Noise rock, a style of rock music prominent in the 1980s Japanese noise rock
1984 - The Tap Dance Kid, (Broadway debut) Title character; 1989–91- Black and Blue, Minskoff Theatre, Broadway; 1992–93 - Jelly's Last Jam, as Young Jelly, Virginia Theatre, Broadway; 1996–97 - Bring in da Noise, Bring in da Funk, Ambassador Theatre, Broadway [20] 1998 - Savion Glover: Downtown, Variety Arts Theatre, New York City
The essence of fictional music is usually to convince the recipient that he could experience it in the real world. [1] [2] It often has a diegetic character. [3]Depending on a work, it can be serious, but it can also take on a playful and parodic character (e.g. in concert from the 1964 film The World of Henry Orient).
Noise pop is a subgenre of alternative and indie rock that developed in the mid-1980s in the United Kingdom and United States. It is defined by its mixture of dissonant noise or feedback with the songcraft more often found in pop music. [1] Shoegaze, another noise-based genre that developed in the 1980s, drew from noise pop.