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English: Vectorized laurel wreath in SVG format. Modified from Greek Roman Laurel wreath vector.svg. Made in Inkscape 'In Greek mythology:' symbol of victory awarded to victors in athletic competitions, including the ancient Olympics. 'In the ancient Roman Empire:' Symbol of martial triumph given to successful commanders.
English: Vectorized laurel wreath in SVG format. Optimized for retina displays. Made in Adobe Illustrator CC 2014. Looks crisp on any screen. In Greek's Mithology: Symbol of victory awarded to victors in athletic competitions, including the ancient Olympics. In the ancient Roman Empire: Symbol of martial triumph given to successful commanders.
The olive wreath, also known as kotinos (Greek: κότινος), [1] was the prize for the winner at the ancient Olympic Games. It was a branch of the wild olive tree [ 2 ] Kallistefanos Elea [ 3 ] (also referred to as Elaia Kallistephanos ) [ 4 ] that grew at Olympia , [ 5 ] intertwined to form a circle or a horse-shoe.
Such wreaths or crowns were represented in classical architecture, in ancient Greek art and sculpture, and in Roman art and sculpture. As well as being awarded for merit and military conduct, they were worn by orators, priests performing sacrifices, by the chorus in ancient Greek drama, and by attendees of a symposium.
Along with the fame and notoriety of winning the ancient Games, the athletes earned different crowns of leaves from the different Games. From the Olympics, the victor won an olive wreath, from the Pythian Games a laurel wreath, from the Nemean Games a crown of wild celery leaves, and from the Isthmian Games a crown of pine. [6]
ANCIENT OLYMPIA, Greece (AP) — No one knows what music in ancient Greece sounded like or how dancers once moved. Every two years, a new interpretation of the ancient performance gets a global audience. It takes place in southern Greece at a site many still consider sacred: the birthplace of the Olympic Games.
‘Watching the first ever Olympic Opening Ceremony held on a river, you begin to realize why no other Olympic Opening Ceremony has ever been held on a river,’ one critic writes
A mark of the continuing artistic value placed on the Diadumenos type in the modern era, once it had been reconnected with Polyclitus in 1878, may be drawn from the facts that a copy was among the sculptures ranged on the roof of the National Archaeological Museum, Athens, when it was completed in 1889, [8] and that the Esquiline Venus has sometimes been interpreted as a female version of the ...