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The language of desire and erotic love in the classic of odes, Fabrizio Serra Editore. Nicolosi M. Grazia, Mixing memories and desire. Postmodern erotics of writing in the speculative fiction of Angela Carter, CUECM. Jadranka Skorin-Kapov, The Aesthetics of Desire and Surprise: Phenomenology and Speculation, Lexington Books 2015
The desire to reach hearts is wise.” “Hate, it has caused a lot of problems in the world, but has not solved one yet.” “Everything in the universe has a rhythm, everything dances.”
We desire what others desire because we imitate their desires." [2] Mimetic theory has two main parts - the desire itself, and the resulting scapegoating. Girard's idea proposes that all desire is merely an imitation of another's desire, and the desire only occurs because others have deemed said object as worthwhile.
In affective neuroscience, "desire" and "wanting" are operationally defined as motivational salience; [58] [59] the form of "desire" or "wanting" associated with a rewarding stimulus (i.e., a stimulus which acts as a positive reinforcer, such as palatable food, an attractive mate, or an addictive drug) is called "incentive salience" and ...
"Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [1] and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire. "Fire and Ice" is one of Frost ...
Famous people quotes about life. 46. “There is only one certainty in life and that is that nothing is certain.” —G.K. Chesterton (June 1926) 47. “Make it a rule of life never to regret and ...
These laws and this system are the consequences of a fundamental reality grasped by the novelists, which Girard called mimetic desire, "the mimetic character of desire." This is the content of his first book, Deceit, Desire and the Novel (1961).
Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...