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Les Demoiselles d'Avignon.The two figures on the right are the beginnings of Picasso's African period.. Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian ...
It usually reveals itself an original mix of cubism and primitive arts. [1] In October 1997, the National Museum of African Art of the Smithsonian Institution launched the exhibition The Poetics of the Line: Seven Artists of the Nsukka Group, which also was the inaugural exhibition of the Sylvia H. Williams Gallery. [2]
In 2001 he began to exhibit, first in West Africa and then in Europe, where his style is sometimes termed "African cubism." [1] From 2006, his style further evolved into a fusion of abstract and realism. He began to call this "flouisme". At the same time he established his studio in Ouagadougou, which he considered "the crossroads of African art."
Jacob Armstead Lawrence (September 7, 1917 – June 9, 2000) was an American painter known for his portrayal of African-American historical subjects and contemporary life. . Lawrence referred to his style as "dynamic cubism", an art form popularized in Europe which drew great inspiration from West African and Meso-American a
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
In The Rise if Cubism Daniel Henry Kahnweiler writes of the similarities between African art with Cubist painting and sculpture: In the years 1913 and 1914 Braque and Picasso attempted to eliminate the use of color as chiaroscuro, which had still persisted to some extent in their painting, by amalgamating painting and sculpture.