Ads
related to: film light kit for photography with camera reviews
Search results
Results From The WOW.Com Content Network
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
Popular Photography, Volume 62 Number 4; April 1998. Anonymous. "Lens Test: Olympus 35-70 mm f/3.5-4.8: Fine performance in a short zoom" p 92. Popular Photography, Volume 62 Number 4; April 1998. Anonymous. "Camera Test: Voigtländer Bessa-R: What do you get when you take a pleasant scale-focusing retro 35 and add a multiframe range/viewfinder?
The F50 (or N50 as it is known in North America) is a 35mm film SLR camera which was introduced by Nikon in 1994. [1] It was aimed at the lower end of the amateur autofocus SLR market. The F50 features autofocus, TTL light metering and various "programs" (ranging from manual operation to a highly automated point and shoot mode).
There were a few particularly sophisticated film SLRs including the Olympus OM-2, the Pentax LX, the Nikon F3, and the Minolta 9000, where metering cells located at the bottom of the mirror box were used for ambient light metering, depending on model either instead or in addition to metering cells in the roof of the camera. Depending on model ...
A scrim is a device used in the film and television industries, as well as by photographers, to modify properties of light. There are variations on types of scrim, depending upon its use, whether with natural light, or with man-made light sources. However, their basic use is the same – to reduce intensity and/or harshness of light.
Three-point lighting is a standard method used in visual media such as theatre, video, film, still photography, computer-generated imagery and 3D computer graphics. [1] By using three separate positions, the photographer can illuminate the shot's subject (such as a person) however desired, while also controlling (or eliminating) the shading and ...