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A Night at Studio 54 is a double album that features 17 disco tracks popularized and played regularly at Studio 54; according to music critic Robert Christgau, the album includes all of disco's AM radio crossover successes "plus major floor hits." [9] Rubell described the album as "the equivalent of a night at Studio 54."
[443] [211] In 2020, it expanded into a music imprint including a record label, Studio 54 Music, [444] [445] [446] which works with Sirius XM on Studio 54 Radio. [447] The label's first release, Night Magic Vol. 1 , is a four-track compilation EP of disco anthems from the club's prime days, revised by musicians from both the original scene and ...
This song commemorates Studio 54 in New York City for its notoriously long customer waiting lines, exclusive clientele, and discourteous doormen. According to guitarist Nile Rodgers, the song was devised during New Year's Eve 1977, as a result of his and bassist Bernard Edwards' being refused entrance to Studio 54, where they had been invited by Grace Jones, due to her failure to notify the ...
It was created in a jam session in Edwards' apartment, after they had failed on New Year's Eve 1977 to meet with Grace Jones at New York's nightclub Studio 54. The original refrain "Aaa, fuck off", intended for the doormen of Studio 54, was replaced that night with "Aaa, freak out", after trying a version with "Aaa, freak off". [6]
The lyrics, written by Amanda Lear, focus on positive aspects of fame and capture the eminence of the Manhattan-based nightclub Studio 54 at the time – hence the subtitle added on the single cover. Name-checked are some of its most famous attendees, such as Andy Warhol , Margaux Hemingway , Francesco Scavullo , Liza Minnelli , Bianca Jagger ...
54 is a 1998 American drama film written and directed by Mark Christopher.Starring Ryan Phillippe, Salma Hayek, Neve Campbell, and Mike Myers, the film focuses on the rise and fall of Studio 54, a famous nightclub in New York City during the late 1970s and early 1980s.
The website's consensus reads, "Studio 54 offers audiences an engrossing close-up look at an emblem of a decade's decadence – as well as its sobering aftermath." [1] The New York Times wrote, "The movie is a fast account that is sometimes a tad facile in its analysis of a cultural moment. But as Mr. Schrager's personal too-much-too-soon story ...
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