Ads
related to: apathit gadyansh class 3 worksheetgenerationgenius.com has been visited by 10K+ users in the past month
Search results
Results From The WOW.Com Content Network
Starting with his birth and parentage, Gandhi gives reminiscences of childhood, child marriage, relation with his wife and parents, experiences at the school, his study tour to London, efforts to be like the English gentleman, experiments in dietetics, his going to South Africa, his experiences of colour prejudice, his quest for dharma, social ...
Kāvya (Devanagari: काव्य, IAST: kāvyá) refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE. [1] [2]This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects.
Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit.The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles.
Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born c. 1170 CE), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda [2] which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. [3]
His argument was that "in the scale of castes, the goldsmith class (Subarnabanik) stands very low". [17] Notably, Sanjib Chattopadhyay , a biographer of Vidyasagar, revealed that Ishwar Chandra started his primary education in a school established and maintained by Shibcharan Mallick, a rich man of goldsmith caste in Calcutta.
Yugpurush: Mahatma Na Mahatma is a 2016 Gujarati play based on the relationship between Jain philosopher Shrimad Rajchandra and Indian independence leader Mahatma Gandhi.The play depicts the spiritual journey of Gandhi.
Performance of an avadhanam with 100 questioners, with the avadhani on a raised podium and questioners on either side.. Avadhānaṃ requires a talent for memorisation, intellect, an extensive knowledge of Indian poetry, prosody and performance skills.
The Vaikuntha Gadyam, unlike the commentaries of Ramanuja on Vedanta, does not have detailed philosophical debates.Instead, it is a pure expression of bhakti and gives a detailed description of Vaikuntha seen through the eyes of a liberated one ().