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This is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...
The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609. Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983; Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.
Afternoon Ragas is a studio album by Nikhil Banerjee and includes performances of the ragas Bhimpalasi (or Bhimpalasri) and Multani. Though originally recorded in 1970, it wasn't released until 22 years later, in 1992.
The Kalyan Thaat consists of an important group of early afternoon, late evening, early night, and early morning ragas. Characterised by the Teevr Madhyam (M') in the stead of the standard Shuddh Madhyam of the Bilawal Thaat, the name of this Thaat literally means good luck/ fortune (कल्याण). Raags of this Thaat are considered to be ...
This includes many ragas originating from folk music and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga Brindabani Sarang depicting Vrindavan village or Lankadahan Sarang depicting Lord Hanuman singing this raga while burning Lanka with his tail, etc.
The gayan samay or the time of singing this raga is at dusk. Raag Puriya Dhanashree is sung at time of transition from the afternoon to the evening and thus it is known as a Sandhiprakash Raga. The pakad of this Raga or the catch phrase of this Raga under the Bhatkande system is -N r G, M r G P, M d P, M G M r G d M G r S .
Bhoopali, also known as Bhoop, Bhopali, or Bhupali, is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). [1] Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas.
Kalavati is derived from a Carnatic raga (see also Yagapriya). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar, Roshan Ara Begum and Gangubai Hangal. B.Subba Rao explains the Carnatic Kalavati as omitting Ga and Ni in aroha and Ni in Avaroha, using komal Re. That would make it closer to raga Jansamohini.