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Singer Adelaide Hall recorded with Ellington in 1927, 1932, and 1933, [7] but only recorded two versions of "Sophisticated Lady", in 1944 (with Phil Green And His Rhythm) [8] and in 1976, on her album Hall of Ellington. [9] The song appeared on the soundtrack of the 1989/90 documentary celebrating her life entitled Sophisticated Lady. [10]
Natalie is a 1976 album by American singer Natalie Cole.Cole's second studio album, It was released on April 9, 1976, by Capitol Records.The album features the hit singles, "Sophisticated Lady (She's a Different Lady)" and "Mr. Melody".
In the piano accordion, the right hand plays chords and melody lines on a small piano-style keyboard, while the left hand plays bass notes and chords on a button board. The accordion is like a miniature organ in its conception, as it has registers (like organ stops) so the player can add octaves or change the tone.
Sophisticated Lady" is a jazz standard. Sophisticated Lady may also refer to: Sophisticated Lady (Ella Fitzgerald and Joe Pass album) Sophisticated Lady (Julie London album) "Sophisticated Lady", a 1971 song by REO Speedwagon from R.E.O. Speedwagon
Music for Loving is an album by American jazz saxophonist Ben Webster with tracks recorded in 1954 and released by Norgran in 1955. [1] The album was reissued in 1957 by Verve as Sophisticated Lady. [2]
"Sophisticated Lady (She's a Different Lady)" is a 1976 R&B/Soul song recorded by American singer Natalie Cole issued as lead single from her second album Natalie. The song won Cole a second consecutive Grammy Award for Best Female R&B Vocal Performance .
Since most other chords are made by adding one or more notes to these triads, the name and symbol of a chord is often built by just adding an interval number to the name and symbol of a triad. For instance, a C augmented seventh chord is a C augmented triad with an extra note defined by a minor seventh interval:
Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia label in 1950. [2] It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them "concert arrangements" of Ellington standards and one, "The Tattooed Bride," a recent tone poem.