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Édouard Manet, Claude Monet in Argenteuil, 1874, Neue Pinakothek. Monet has been described as "the driving force behind Impressionism". [89] Crucial to the art of the Impressionist painters was the understanding of the effects of light on the local colour of objects, and the effects of the juxtaposition of colours with each other. [90]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term impressionism]". Claiming that "Monet is the Impressionist painter par excellence", Duret argued that Monet inspired a new way of seeing and painting ...
Early photographs influenced Impressionist style by its use of asymmetry, cropping and most obviously the blurring of motion, as inadvertently captured in the very slow speeds of early photography. Edgar Degas , Claude Monet, Pierre-Auguste Renoir - in their framing , use of color, light and shadow, subject matter - put these innovations to ...
It was characterized by the dynamism of café culture, the impact of Haussmannization on the cityscape, and a blend of social classes and radical art movements. Édouard Manet's work bridged 19th-century art with modernism, leading the way to Impressionism. Claude Monet and his contemporaries advanced this movement by capturing transient light ...
Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.