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Pages in category "Paintings of dragons" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. D. Dragon; Tiger; N.
Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]
Chinese dragons [note 2] C-shaped dragon/ Ring-like dragon Hong (rainbow-dragon) Hongshan Jade dragon Panlong [4] Shuanglong [14] Zhulong Curly and coiled dragon Azure dragon: Kuilong (夔龙) [4] Panchi [4] Zisunlong (子孙龙) Long dragon or mang dragon: 3-clawed dragons/ 4-clawed dragons, also called mang (蟒, lit. "python")/ 5-clawed dragons
Pages in category "Dragons in art" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Angel (Manx coin) C.
Hong Kong was a British colony from 1842 to 1997. The local art organizations were mostly run by Westerners who outnumbered Chinese painters until a large migration of Chinese from Southern China during Sino–Japanese War. Innovative art colleges were established after the war. The shows organized by local artists started in the early 1960s.
Bell is also a fantasy artist and a representative of the heroic fantasy and fantastic realism genres. Bell has won Chesley Awards [2] and was the designer of the Dragons of Destiny series. She also won first place awards in the Art Renewal Center International Salon, which bestowed on her the title "ARC Living Master". [3] [4]
Dragon (Dutch: Draak) is a wood engraving print created by Dutch artist M. C. Escher in April 1952, depicting a folded paper dragon perched on a pile of crystals. [1] It is part of a sequence of images by Escher depicting objects of ambiguous dimension, including also Three Spheres I, Doric Columns, Drawing Hands and Print Gallery.
In the 18th century, small paintings of working people remained popular, mostly drawing on the Dutch tradition and featuring women. Much art depicting ordinary people, especially in the form of prints, was comic and moralistic, but the mere poverty of the subjects seems relatively rarely to have been part of the moral message. From the mid-19th ...