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Ethiopian studies began a new era in 1963 when the Institute of Ethiopian Studies was founded on the campus of Haile Selassie University (which was later renamed Addis Ababa University). [4] The heart of the IES is the library, containing a wide variety of published and unpublished materials on all types of matters related to Ethiopia and the ...
Another significant medieval Ethiopian text is The History of Alexander, believed to have been written around 1500. It narrates the life and conquests of Alexander the Great, depicting him as a Christian warrior. [3] By the beginning of the 16th century, the Islamic invasions put an end to the flourishing of Ethiopian literature.
This IES unit is the first university museum in Ethiopia. The museum has a permanent collection in five fields of study: anthropology, art, ethnomusicology, numismatics (the study of coinage), and philately (the study of postage stamps). [14] Its hosts temporary exhibitions. [15] It has objects dating back to the early Aksumite period.
The following is an alphabetical list of Amharic writers, presenting an overview of notable authors, journalists, novelists, playwrights, poets and screenwriters who have released literary works in the Amharic language, used predominantly in Ethiopia.
His innovative works include a 1922 historical dictionary that offered a prosopographic study of Ethiopia's historical figures and contemporary notables, a history of Ethiopian foreign relations, historiographic travel literature, and a traditionalist historical treatise combining narrative histories for the Zagwe and Solomonic dynasties with ...
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Medieval Ethiopian literature primarily consists of religious texts, particularly hagiographies. [71] Although original Ethiopian additions were made to texts, early Ethiopian literature mostly comprised translations, generally from Greek under the Aksumites, and later Arabic. [ 72 ]
The 14th century Kebra Nagast or "Glory of the Kings" by the Neburaʼed Yeshaq of Aksum is among the most significant works of Ethiopian literature, combining history, allegory and symbolism in a retelling of the story of the Queen of Sheba (i.e., Saba), King Solomon, and their son Menelik I of Ethiopia.