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The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.
In November 1980, supported by the China Federation of Literary and Artistic Associations, the Preparatory Committee of the Chinese Calligraphers' Association was formed and convened its inaugural meeting in Beijing on November 7. [2]
In contemporary times, debate emerged on the limits of this copyist tradition within the modern art scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters. [2] [28] Chinese calligraphy is being promoted in Chinese schools to counter character amnesia brought on by technology ...
In the post-colonial era, artists working in North Africa and the Middle East transformed Arabic calligraphy into a modern art movement, known as the Hurufiyya movement. [34] Artists working in this style use calligraphy as a graphic element within contemporary artwork. [35] [36] The term, hurufiyya is derived from the Arabic term, harf for letter.
Ibrahim El-Salahi (Arabic: إبراهيم الصلحي, born 5 September 1930) is a Sudanese painter, former public servant and diplomat.He is one of the foremost visual artists of the Khartoum School, [1] considered as part of African Modernism [2] and the pan-Arabic Hurufiyya art movement, that combined traditional forms of Islamic calligraphy with contemporary artworks. [3]
Islamic calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page or other materials. Contemporary artists in the Islamic world may draw on the heritage of calligraphy to create modern calligraphic inscriptions, like corporate logos, or abstractions.
Roman capitals on the base of Trajan's Column.. The use of Roman capitals in lettering grew out of the Arts and Crafts movement, which promoted individual craftsmanship and traditional styles of art with respect for the past.
In modern times, fonts of Lombardic capitals have been designed by many typographers, such as Frederic Goudy, who included a set as an alternative uppercase for his Goudy Text font. [ 7 ] First, Lombardic, or the national hand of Italy, which was a development of the uncial and was first used in northern Italy.