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In Roumanian stitch, long satin stitches are each held in place with a small diagonal stitch made in the center. In Roumanian couching, bundles of laid threads are held in place with Roumanian stitches. In underside couching, a heavy couching thread (historically, a stout linen) is brought up from the wrong side of the work, looped over the ...
Goldwork is always surface embroidery and free embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and ...
Counted cross-stitch embroidery, Hungary, mid-20th century. Counted-thread embroidery is any embroidery in which the number of warp and weft yarns in a fabric are methodically counted for each stitch, resulting in uniform-length stitches and a precise, uniform embroidery pattern. [1]
Cross-stitch sampler, Germany Cross stitching using a hoop and showing use of enamel needle minder. Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture.
The stitch is done by creating a line of diagonal stitches going in one direction, usually using the warp and weft of the fabric as a guide, then on the return journey crossing the diagonal in the other direction, creating an "x". True cross stitch has legs of equal length that cross in the center.
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]