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In Roumanian stitch, long satin stitches are each held in place with a small diagonal stitch made in the center. In Roumanian couching, bundles of laid threads are held in place with Roumanian stitches. In underside couching, a heavy couching thread (historically, a stout linen) is brought up from the wrong side of the work, looped over the ...
The colcha stitch is known in many parts of the world, under names such as the bokhara couching stitch, convent stitch, Deerfield stitch, and figure stitch. It has been found on 18th century quilts, as well as wall hangings and altar cloths in a region encompassing northern New Mexico and southern Colorado.
Goldwork is always surface embroidery and free embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and ...
Surface embroidery techniques such as chain stitch and couching or laid-work are the most economical of expensive yarns; couching is generally used for goldwork. Canvas work techniques, in which large amounts of yarn are buried on the back of the work, use more materials but provide a sturdier and more substantial finished textile.
An illustration of the buttonhole stitch. In everyday language, a stitch in the context of embroidery or hand-sewing is defined as the movement of the embroidery needle from the back of the fibre to the front side and back to the back side. [1] The thread stroke on the front side produced by this is also called stitch.
The "feed dogs" or machine teeth are lowered or covered, and the embroiderer moves the fabric manually. The embroiderer develops the embroidery manually, using the machine's settings for running stitch and fancier built-in stitches. A machine's zigzag stitch can create thicker lines within a design or be used to create a border. As this is a ...
The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
Outlining stitches such as stem stitch, chain stitch and split stitch; Satin stitches to create flat, filled areas within a design [4] Couched stitches, where one thread is laid on the surface of the fabric and another thread is used to tie it down. Couching is often used to create a trellis effect within an area of the design.