Ad
related to: thirteenth chords
Search results
Results From The WOW.Com Content Network
A thirteenth chord is the stacking of six (major or minor) thirds, the last being above the 11th of an eleventh chord. [1] Thus a thirteenth chord is a tertian (built from thirds) chord containing the interval of a thirteenth, and is an extended chord if it includes the ninth and/or the eleventh. "The jazzy thirteenth is a very versatile chord ...
Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone ...
A thirteenth chord (E 13) "collapsed" into one octave results in a dissonant, seemingly secundal [1] tone cluster. Play ⓘ In music, extended chords are certain chords (built from thirds) or triads with notes extended, or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. [2]
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
As their categorical name suggests, extended chords indeed extend seventh chords by stacking one or more additional third-intervals, successively constructing ninth, eleventh, and finally thirteenth chords; thirteenth chords contain all seven notes of the diatonic scale. In closed position, extended chords contain dissonant intervals or may ...
11 indicates an eleventh chord, which in jazz usually includes the dominant seventh and ninth as well, if it is a dominant chord. 13 indicates a thirteenth chord, which in jazz usually includes the dominant seventh, ninth and eleventh as well. 6/9 indicates a triad with the addition of the sixth and ninth.
The sixth inversion of a thirteenth chord is the highest possible diatonic inversion, since the diatonic scale has seven notes. (The "seventh" inversion of the dominant thirteenth chord is root position.) Higher inversions would require chromaticism and either nonscale tones or scales with more than seven tones.
I Found a New Baby 13th chord.png 519 × 170; 6 KB I'd Like to Teach the World to Sing secondary dominant.png 528 × 179; 6 KB Krenek's chord classification from Studies in Counterpoint.png 328 × 303; 25 KB