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The Music Scene was conceived as a musical-variety show with rotating hosts and contemporary rock and pop artists. It led a completely revamped Monday night schedule, reflecting ABC's effort to balance programming that targeted younger viewers with legacy shows catering to an older audience, such as The Lawrence Welk Show.
[1] Several songs that are heard during the movie, such as "Total State Machine" by Test Dept , "Omgyjya Switch7" by Aphex Twin , "Anti War Dub" by Digital Mystikz , "War Dub" by Pinch and " Life in a Glasshouse " by Radiohead are not included on the soundtrack.
Apollo 13: Music From The Motion Picture is the soundtrack to the 1995 film Apollo 13 featuring an original score composed, conducted and produced by James Horner.The soundtrack was released on June 27, 1995 by MCA Records that compiled seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly 78 minutes.
Ghostbusters: Original Soundtrack Album is the soundtrack album for the 1984 film of the same name, released by Arista Records on June 8, 1984. [1] The soundtrack includes the Billboard Hot 100 number one hit "Ghostbusters", written and performed by Ray Parker Jr.
The punk music during the bus scene was written by Kirk Thatcher who worked with the film's sound designer Mark Mangini and two other sound editors from punk bands to create their own music. [3] They would be credited as the fictional punk band "Edge of Etiquette" and wrote a song named "I Hate You" which contained few explicit lyrics.
A music scene is any kind of music community. Music scene may also refer to: Indie music scene, a localized independent music-oriented community of bands and their audiences. Music scene (programming), part of the Demoscene; The Music Scene, a Canadian magazine dedicated to promoting classical music and jazz; The Music Scene, a TV show that ...
Reviews from Credible Sources. The New York Times: A.O. Scott of The New York Times lauds Inside Llewyn Davis as a "minor masterpiece." He praises the Coen brothers' ability to craft a film that delves deep into the complexities of the human condition, while also paying homage to the folk music tradition of the era.
One of the film's distinctive features is its score, written in three days by John Carpenter [1] and performed by Carpenter and Tommy Lee Wallace. [2] [3] [4]: 1 [5] The combination of synthesizer hooks, electronic drones and drum machines sets it apart from many other scores of the period and creates a distinct style of minimalist electronic soundtrack with which Carpenter, and his films ...