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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
[3] [6] [9] She uses modern tools as well as traditional uhi (chisels) carved from bone. [ 9 ] [ 8 ] She was the artist for Ariana Tikao 's moko kauae, and Tikao wrote a book about the experience (together with photographs by Matt Calman and Māori language text by Ross Calman ) called Mokorua (published by Auckland University Press in 2022).
An example of these repatriations comes from the small English seaside town of Scarborough, North Yorkshire. In 1834 a toi moko was traded from Kāpiti Island and brought to England, later to be donated to the museum at Scarborough by Richard Baley Munn, master of the brig 'Eleanor', where it stayed, sometimes on display, until 1998 when it was ...
Art historian Ngarino Ellis writes that patterns used in Kipa's tā moko "will be based on Kipa's whakairo (carving) practice, with a modern slant, both in the imagery and the ideas articulated within it". [6]: 26 She continues Kipa is keen to break boundaries and challenge the notion of tradition within Māori culture.
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Youle's work features skulls based on tattoo designs, symbols of identification and belonging, for example, to gangs. Youle was inspired by his grandfather's tattoos, identifying him as a sailor. He also studies the historical origins and expressions of tā moko (permanent body and face markings of Māori). The head is tapu (sacred) in Māori ...