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Modern espadrilles are predominantly for women, though some men's shoes are made in this style. The soles of espadrilles may be flat, platform, or wedge shaped made of natural fiber . Uppers may be made from nearly any substance and may have open or closed toes, open or closed backs, and can be slip-on or tied to the ankle with laces.
Worn by a royal and loved by fashion editors alike, here's why they belong in your closet.
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The spandrels in St Mark's Basilica inspired one of the paper's main metaphors. "Spandrels" was originally written in 1978, and that year Gould delivered it as a talk to the Royal Society. [4] Gould had visited St. Mark's Cathedral shortly before he wrote the paper. [5] The published paper lists both Gould and Lewontin as authors.
Spandrels are characteristics that did not originate by the direct action of natural selection and that were later co-opted for a current use. Gould saw the term to be optimally suited for evolutionary biology for "the concept of a nonadaptive architectural by-product of definite and necessary form – a structure of particular size and shape ...
Spandrels of a Tudor arch Spandrels of a circle within a square Spandrel figures of winged victories, Arc de Triomphe du Carrousel, Paris Spandrel panels. A spandrel [1] is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame, between the tops of two adjacent arches, [2] or one of the four spaces between a circle within a square.
Stephen J. Gould and Richard Lewontin proposed biological "spandrels", features created as a byproduct of the adaptation of nearby structures. Gerd B. Müller and Stuart A. Newman argued that the appearance in the fossil record of most of the phyla in the Cambrian explosion was "pre-Mendelian" [a] evolution caused by physical factors.