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Toshikazu Kawasaki (川崎敏和, Kawasaki Toshikazu, born November 26, 1955 in Kurume, Fukuoka) is a Japanese paperfolder and origami theorist who is known for his geometrically innovative models. He is particularly famous for his series of fourfold symmetry "roses", all based on a twisting maneuver that allows the petals to seem to curl out ...
It is, however, still origami, although origami purists frown upon threading or gluing the units together, while others recognize that early traditional Japanese origami often used both cutting (see thousand origami cranes or senbazuru) and pasting, and respect kusudama as an ingenious traditional paper folding craft in the origami world.
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
Tomoko Fuse (布施 知子, Fuse Tomoko, born in Niigata, 1951) is a Japanese origami artist and author of numerous books on the subject of modular origami, and is by many considered as a renowned master in such discipline.
Satoshi Kamiya (神谷 哲史, Kamiya Satoshi, born June 6, 1981 in Nagoya, Japan) is a Japanese origami artist. Kamiya began folding at age two. Kamiya began designing origami models in 1995, and has since published hundreds of creations. [1] Kamiya has drawn inspiration for his designs from manga, nature, and both eastern and western mythologies.
Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
The Miura fold is a form of rigid origami, meaning that the fold can be carried out by a continuous motion in which, at each step, each parallelogram is completely flat. This property allows it to be used to fold surfaces made of rigid materials, making it distinct from the Kresling fold and Yoshimura fold which cannot be rigidly folded and ...
In the early 1980s, Professor Chatani began to experiment with cutting and folding paper to make unique and interesting pop-up cards. He used the techniques of origami (Japanese paper folding) and kirigami (Japanese papercutting), as well as his experience in architectural design, to create intricate patterns that played with light and shadow. [3]