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A single grace note is played on the beat as is the first grace note of a complex ornament such as a doubling. Some complex ornaments, such as taorluath can be played starting or ending on the beat. Grace notes are typically played as short as possible by lifting the fingers quickly and a short distance off the chanter. [2]
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Buechner scholar Dale Brown writes that The Alphabet of Grace represents a ‘turning point in Buechner’s career’, and that it is ‘impossible to classify’. [6] Brown ventures that the anthology is the author’s ‘first run at memoir’, [7] a ‘loosening of the tongue, a first draft of the life he will tell in many volumes beginning in the 1980s’. [8]
Variably by dialect and even word, the / j / in this / j uː / may drop (rune / ˈ r uː n /, lute / ˈ l uː t /), causing a merger with / uː /; in other cases, the /j/ coalesces with the preceding consonant (issue / ˈ ɪ s. j uː / → / ˈ ɪ ʃ uː /), meaning that the silent e can affect the quality of a consonant much earlier in the ...
The style "His Grace" and "Your Grace" is used in England and some other English-speaking countries to address Catholic archbishops whose seats have come from an English diocesan background, which is not common in other countries (e.g. in France, the Philippines, and the United States Catholic bishops are addressed using the style "Excellency").
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In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase.However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. [1]
Both letters were used for the phoneme /θ/, sometimes by the same scribe. This sound was regularly realised in Old English as the voiced fricative [ð] between voiced sounds, but either letter could be used to write it; the modern use of [ð] in phonetic alphabets is not the same as the Old English orthographic use.