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The Times Are Racing is a one-act ballet by Justin Peck, to "USA I-IV" from Dan Deacon's album America, with costumes designed by Humberto Leon from the fashion label Opening Ceremony and lighting design by Brandon Stirling Baker. [1] It premiered on January 26, 2017 at the David H. Koch Theater, danced by the New York City Ballet. [2] [3]
She joined the New York City Ballet in 1986, was promoted principal dancer in 1991, and retired in 2002. She served as the director of the Boston Ballet School between 2007 and 2021, dean of the Colburn School's Trudl Zipper Dance Institute since 2023, and slated to become the artistic director of Canada's National Ballet School in 2024.
The David H. Koch Theater is a theater for ballet and dance at Lincoln Center in the Lincoln Square neighborhood of Manhattan in New York City.Originally named the New York State Theater, [1] the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.
Many [weasel words] YAGP Alumni go on to have professional careers in dance, joining world-renowned dance companies including American Ballet Theatre, Australian Ballet, Dutch National Ballet, Houston Ballet, Joffrey Ballet, Mariinsky Theatre, National Ballet of Canada, New York City Ballet, Paris Opera Ballet, Royal Ballet, Stuttgart Ballet ...
The National Ballet of Canada is a Canadian ballet company that was founded in 1951 in Toronto, Ontario, with Celia Franca, the first artistic director. A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic director Hope Muir .
Tarantella (ballet) Theme and Variations (ballet) Thou Swell (ballet) Three Preludes (ballet) The Times Are Racing; Le Tombeau de Couperin (ballet) Touch (ballet) Tributary (ballet) Tribute (ballet) Tricolore (ballet) Triptych (ballet) Tschaikovsky Pas de Deux; Tschaikovsky Piano Concerto No. 2 (ballet) Tschaikovsky Suite No. 3; Two Birds with ...
The British ballet teacher Margaret Craske was ballet mistress for New York Theatre Ballet from its foundation until late in her life. [ citation needed ] Craske was succeeded by Sallie Wilson , a student of hers, [ 1 ] who was ballet mistress [ 2 ] until 2008.
The Department of Cultural Affairs (DCLA), a branch of the government of New York City, is the largest public funder of the arts in the United States.DCLA's funding budget is larger than that of the National Endowment for the Arts, the federal government's national arts funding mechanism. [16]