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A simple smiley. This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons.Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art.
A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories.
ASCII art of a fish. ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII).
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures.
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages.Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary.
Thirty forms of fleuron have code points in Unicode.The Dingbats and Miscellaneous Symbols blocks have three fleurons that the standard calls "floral hearts" (also called "aldus leaf", "ivy leaf", "hedera" and "vine leaf"); [7] twenty-four fleurons (from the pre-Unicode Wingdings and Wingdings 2 fonts) in the Ornamental Dingbats block and three more fleurons used in archaic languages are also ...
The inversion from verb—object to object—verb on which copy and paste are based, where the user selects the object to be operated before initiating the operation, was an innovation crucial for the success of the desktop metaphor as it allowed copy and move operations based on direct manipulation.